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The Poetic Imagination Of Vyacheslav Ivanov: A Russian Symbolist’S Perception Of Dante

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Vyacheslav Ivanov, poet, philosopher and critic, played a key role in the formation of the early twentieth-century Russian literature as leader of the religious branch of the Symbolist movement and his influence spread to Europe after his emigration to Italy in Pamela Davidson explores Ivanov's poetic method, relating his art to his central beliefs in particular his Vyacheslav Ivanov, poet, philosopher and critic, played a key role in the formation of the early twentieth-century Russian literature as leader of the religious branch of the Symbolist movement and his influence spread to Europe after his emigration to Italy in Pamela Davidson explores Ivanov's poetic method, relating his art to his central beliefs in particular his interpretation of the ancient Greek religion of Dionysus and of the teachings of Vladimir Solovyov and considering the ways in which he attempted to embody these ideas in his own life.

She focuses on Ivanov's interpretation of Dante and in so doing, opens up fresh perspectives on the wider question of Russia's relation to the Western cultural tradition and Catholicism.

Detailed analyses of Ivanov's pre-revolutionary poetry and of his translations from Dante form the basis of the second part of the study and extensive use is made of unpublished archival materials from the Soviet Union and Italy. Get A Copy. Hardcover , pages. Published June 30th by Cambridge University Press. More Details Original Title. Other Editions 2.

Friend Reviews. To see what your friends thought of this book, please sign up. The breadth and depth of his essays, as well as his role as the major theoretician of religious symbolism, had a great impact on the beliefs and poetics of the next generation of post-symbolist poets, particularly on the Acmeists and Futurists.

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According to one critic, Ivanov tried to reconcile too many different roles; to poets he appeared a prophet, to philosophers an artist, and to orthodox believers, a priest without God and without a church. In Europe, his fame has rested almost exclusively on his essays, which have attracted the attention of prominent intellectuals such as Martin Buber, Ernst Robert Curtius, Gabriel Marcel, Du Bos, and Pellegrini.

In Soviet Russia, he was marginalized for many decades, in part because of political circumstances, but also because his critics could not or would not recognize his view of culture as memory as the foundation of his distinctive voice. His legacy, transmitted through thinkers as varied as Mikhail Bakhtin, Lev Loseff, and Sergei Averintsev, has attracted a marked resurgence of critical interest since the mids. Biography Born 16 February in Moscow.

The Poetic Imagination of Vyacheslav Ivanov: A Russian Symbolist's Perception of Dante

Studied at the First Moscow Gymnasium, graduated ; history and classical philology, Moscow University, —86; University of Berlin, — Returned to Russia, lived in St. Petersburg, hosting the literary salon at Bashnia Tower ; founder, Ory publishing house, and the Poetic Academy. Lived in Switzerland, France, and Italy, —13, and Moscow, — Married his stepdaughter Vera Shvarsalon died, , one son. Professor of classical philology, University of Baku, — Emigrated to Italy, , converting to Catholicism, ; lived in Rome, —26, —49, and in Pavia, — 34, lecturing and teaching in both cities.

Died in Rome, 16 July Stakhorskii, Lik i lichiny Rossii: Estetika i literaturnaia teoriia The face and masks of Russia: aesthetics and literary theory , edited by S. Averintsev, Collected works edition: Sobranie sochinenii, edited by D.

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Russia on the Oval: "Between East and West: The Question of Identity in Russian History"

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